Can’t nothing beat a great song. Wow, awesome rendition by Chris Standring and his band/orchestra at his Live in London concert. Wish, I had been there!
Pretty cool: Music Gateway are going to introduce their own file sharing platform some time in October. Please support their efforts via your fanbase and community! Feel free to share!
Ich freue mich sehr, dass Alexander Naumann Auszüge meines 2010 mit dem erst kürzlich verstorbenen Supergitarristen, Produzenten, Komponisten und wunderbaren Menschen Chuck Loeb geführten Interviews für seine Tribute-Sendung am 23.09.2017 um 23.05 auf BR Klassik und da die oben verlinkte Sendung verwenden möchte. Es versteht sich von selbst, dass diese Erfahrung ein absolutes Lebenshighlight für mich war, das nun angesichts des viel zu frühen Ablebens dieses Ausnahmemusikers noch mehr an persönlicher Bedeutung gewonnen hat.
Jazzfans und da insbesondere den Fans der melodiegeprägten Variante, die unter dem Begriff “Smooth Jazz” bekannt ist – eine Einordnung, mit der allerdings niemand mehr so recht glücklich wird und die heute von Künstlern und Fans lieber als Contemporary Jazz oder beizeiten auch Instrumental R&B bezeichnet wird -, möchte ich also die Sendung am 23.09.2017 auf BR Klassik ans Herz legen.
Mein besonderer Dank gilt auch Christian Bößner von Smooth Entertainment GmbH, der das Genre seit 2008 auch live fest in Europa verankert hat und inzwischen mehrmals jährlich erfolgreiche Konzert-Events veranstaltet, John Beaudin, für dessen Smoothjazznow.com-Kanal ich dieses Interview produzierte, sowie der unvergleichlichen Lena Semmelroggen von smashingsnapshots.com, die die Kamera und das Aufnahmegerät bediente, so dass ich mich ganz auf die Unterhaltung mit Chuck Loeb konzentrieren konnte. R.I.P., Chuck Loeb und danke für Ihr unvergleichliches Lebenswerk!
(Das Interview auf Englisch nochmal hier im Anschluß, aus damals bestehenden technischen Gründen aufgeteilt in drei Segmente))
For the past years, I’ve been running and updating about five different blogs, one of which was wesbound.de, my artist’s blog and webpage. It gets very time consuming to keep three practically identical blogs – wesbound.de, nieke.de/wesboundmusic, wesbound.wordpress.com – in synch. For this reason I’ve decided to discontinue wesbound.de at least for the foreseeable future. The content provided here as well as on wesbound.wordpress.com is or was pretty much identical to wesbound.de, though. In case you were interested in following me and my occasional musical activities, feel free to subscribe to this blog – there should be a green “SUBSCRIBE” button on pretty much every page here – or find me on Facebook and Reverbnation.
Thank you for your continued and ongoing support!
w., August 2017
For some reason, I came across this video today that Carmen Cuesta posted on her YouTube channel on July 25th, 2017, only a few days shy of the incredibly sad andshocking news that her husband Chuck Loeb had passed away on July 31st, 2017. There is another version of this song with her and Chuck sitting on the sofa in their living room, both playing acoustic guitar and Carmen Cuesta singing this song. I chose in favor of this version as it is just a little bit less heartbreaking than the more recent one. I also decided it is probably going to be o.k. to link to his video as she had chosen to upload it publicly, simply saying “So long my dearly beloved” for a caption, but her voice and playing capturing…. the intensity of the moment.
I hope, none of my following words or the mere action of posting this blog will be considered inappropriate or intrusive or anything like that. But I think I feel compelled to say something for a tribute as it now – more than ever – appears to me that there is truly a special element about all of the Loeb family: As they have been enjoying these etraordinary relationships in the family that seem firmly founded in love for each other, the love for music and as that love for humanity, they have also been sharing all this with the rest of us – and sharing this in a most humble, modest way, which ironically – especially now – has so much more impact than all the fanfare of other artists who may have placed more focus on getting attention for themselves. This man – and I’d take the liberty of extending this quality to each of his family members as they all seem kindred spirits in that way – would be a truly wonderful, kind human being first. And he also happened to play the guitar like noone else I’ve ever listened to. The modest approach, which put the song in question first and personal dexterity on the instrument only in the context of making the song shine more is hard to find, I think. It is exactly this element in Chuck Loeb’s entire body of work that I see and hear reiterated through the vast catalogue he leaves behind.
I am also extremely grateful I should have been given the opportunity to interview him in the context of Smooth Jazz Festival Augsburg 2010 and on behalf of SmootJazzNow.com hosted by John Beaudin (who does his own tribute video here; as for the above linking of my own interview: No, I’d never dare to use it as placing a shameless plug on my part, especially at this time. I only do so in the hopes that Lena and I managed to capture some of the kindness that this exceptional artist exuded and to pay my respects that way. From what I hear, everyone who was ever lucky enough to cross paths with him seems to have experienced this wonderful quality in him). I will never forget this unparalleled highlight in my life and how his kind, articulate, soft-spoken, but super attentive – not forgetting super gifted”, of course – man impressed me with his very down-to-earth, natural, accessible personality.
My heart is with his family and the entire family of music lovers around the world, who followed Mr. Loeb’s career in one or the other way. Peace, love and light be always with you and yours!