Are vinyls doomed for the advent of the music tape/cassette?


cassettes

Sind Leer-Cassetten der Tod der Schallplatte?.

Interesting flashback to the mid 70ies when music cassettes and portable player devices became popular. Even then the music industry’s sole response was to complain about the loss in revenue. You could say that P2P filesharing is the digital equivalent of the music cassette back in the day. Following this reasoning – the more pirating, the better for the artists in the long run. No?

Wesbound on JazzNet 247 with Wes George Gillespie


wesbound press photoI am stoked!!!! Recently, Wes Gillespie of Smooth Jazz Radio Station JazzNet 247 selected my tracks I Count on U and Naiad Theme for his fine programming. This in itsself would be an incredible treat alone, but it gets even better: I recently checked his playlist and was almost falling from my chair from detecting myself among all the BIG names of the genre! Upon tuning in to his radio show, I hear a radio jingle with announcements of the songs to air during the second hour of his show and – shock again! – he placed an announcement of my track between Brian Culbertson and – Herbie Hancock!! I mean – come on!!! This is getting better than whatever dreams I may have had in my late teens and early twens! A-M-A-Z-I-N-G!!!

Some of my Facebook family and friends might be tempted to think, I was presenting myself extra-humble in order to “solicit” more attention or support, but no! Take my word on this: I am really, really almost in disbelief over all the incredible things that have started to happen for me!! And excited and thrilled at the same time, of course!

Again, my heartfelt gratitude to all of you, who have and are supporting me in ways I could not have imagined! This is major, major, major and means EVERYTHING to me! And know that I keep working on my chops and material. After all – what could be better than knowing there is an appreciating audience waiting for more to come?

Thank you all! At this point, I’d like to mention Brian O’Neal, who got the ball rolling for me about one and a half years ago, by inviting me to collaborate on his track and then video Dreams in Color and by getting the word out. Please consider supporting his charity organization DO Foundation that came from this musical collaboration. Also, a big shoutout to April Sims and Christopher Fields on WAGTi Radio, for inviting me to be among the first interview guests when the station launched under that name in March 2009. After that, I soon found myself invited on a couple more stations getting interested in airing my music and finding out about my work. Cres O’Neal, Gary Fuston, Mary Ann of U S Smooth Jazz Network, Marissa Caliguire to name a few more – thank you dearly! Please find the complete list of stations and radio presenters here.

This is incredibly exciting, people! Thank you!
Peace,

wesbound, October 2010

A little insight into the recording process


OK, so now there’s 36 bars of a guitar track for my next track in the making. This equals about half a day’s work. Why that much? And why was I being slow? Can’t I play at all? Let me explain:
I left it the way it is now at about the 30th take into it. When I say “take”, I mean to say one ENTIRE track of recorded guitar, from bar 12 through 38. Don’t get me wrong: I had a decent take on the first attempt, yes. But then: It was only decent. I don’t by any means claim that the current track is perfect or anointed or anything. But it’s the least quality I’m satisfied with. So now why does it take so long?
Ok: I found out that I sound more organic when doing “entire tracks of takes” – in this case: About 36 bars at ONE GO! That again means, if I mess up anywhere in between … – you guessed it! – I stop the recording, go right back to the top of the track and start all over. Most often, I delete the current take right away unless I feel there were some parts I might be using later (which I rarely do, given the approach of taking the entire track in one go). To give you an example: Let’s say, a string accidentally snaps or “tingles” (in not a musical way) on the neckboard at bar 37… YES! I go RIGHT BACK TO THE VERY TOP and start all over!!! And I keep doing that as many times as it takes for me to be “OK” with the recording. When I say OK I don’t mean to be fishing for compliments, either. It’s really just that: When I’m ok with it, that’s when I leave it as is and move on. No sooner than that. If that requires for me to come back for an entire week until I got it right – I will! If it means, I have to drop some heavier parts and play something simpler, I will. If it means I’ll drop the take altogether… I will. The bottomline: Only – when I can lean back and listen without getting a knot in my stomach, only THEN will I warm up to the thought of actually “freezing” the take and move on to the next one.
For the songs I’ve put out so far, there’s typically between 20 and 30 individual tracks. Not all of them are single instruments. Sometimes, there’s a track with only fill-ins on drums. Other times, there are some ad libs (“random” additions) on the instrument. Sometimes, it’s a midi-track I’ve already recorded, which I copy and assign a new sound to (to “fatten” it, mostly for bass sounds, sometimes for bass drum or snares). This is just about the “raw” process of tracking instruments. The editing process… guess, that will be a different chapter.
OK, now I’m gonna take a break and do a lap of bike-riding or swimming, then back to the “sweatshop” later LOL.

Have a great day, everyone!
Peace,
wesbound

Song+additional info: Will this be the MP3 successor?


MusicDNAvia Jazzdrummerworld.com: Interesting article on a new file format that might eventually supersede the somewhat dated MP3 format. The idea in a nutshell: Attach additional information like lyrics, photos, live tweets, updates of all kinds to the song itsself. Sounds promising to say the least. Apple as well as traditional major labels are experimenting with this format as well as derivatives. Digital music lovers should keep an eye open on that.

update: Here’s another source discussing this. As well as this one, pretty much opposing the enthusiasm of the first two sources.

Naiad Theme available on iTunes as of Today!


I’m pleased to report that the Naiad Theme is now available on both iTunes and Amazon as well as some other outlets, which I’ll try to find out about.

WAGTi Member of the Week!


WAGTI Front Page

I am this week's WAGTi member of the week! Thanks April!

I have recently joined WAGTi – short for “we are greater than I” – network created and operated by April E Sims. WAGTi is a social media platfrom created by indie artists (April) for indie artists and targeted at giving indie (independent) artists some added exposure, which they are often denied by the established media and publishing outlets.

I recently had the pleasure of talking to April when calling in to blogtalkradio, another venture of hers, and came to know her as a warm-hearted, yet capable and determined artist and entrepreneur. I am honored to have been accepted to WAGTi and now to be made featured member of the week. Thank you, April, for creating this platform and for supporting us so diligently and able!

Smooth Jazz Festival 2009


My buddy Thömmez was so kind as to get us tickets to the Smooth Jazz Festival 2009. I hung out there with them Saturday night, featuring Marcus Johnson, Peter White, Brian Simpson, Dave Koz and Michael Lington sitting in. I met some Facebook friends in person and got to chat with Marcus Johnson after his set. To sum it up: Quality time!

Pitfalls of the Creative Process


I am currently in the process of – hopefully – finishing another tune.


I guess it’s commonplace to state that when working on a creative piece you sooner or later end up with tunnel vision: Not only have you thought of gazillions of slight variations here and there, you may have already tried and dimissed them altogether and thus sooner or later find yourself taking things off as you go along. In simple words: The more you LEAVE out, the better it tends to get. *sigh* – I should heed my own warning here, as I keep shoving stuff into the arrangement of above linked tune. Also, I HATE my voice. I can’t stand listening to myself singing and I also never get the performance right, as I’m recording this at home, where I don’t have studio equipment, such as e.g. a sound-proof box for recording voiceover or vocals. Hence – I’m always timid about disturbing one of my neighbours or getting unwanted attention of one kind or the other.
So, in other words: As soon as I’ve managed to get something recorded and listen to what I’ve just done … I feel like throwing it in the garbage. Personal issues, like not liking my voice set aside, the process is a tricky one.

I’m afraid, I’ll have to adjust to that and learn to love it to some extent….